Welcome.

I'm a graphic and interactive designer. I live in New York City, but frequent Los Angeles. This is where I toss my ridiculous ideas, conversations, inspirations, etc. I can be reached at info@ashleysimko.com
Archive | Ask | Bloglovin | Flickr | MySpace | MyFace | RSS | Twitter | Vimeo
May 28
Permalink
We couldn’t get in. We couldn’t get out. knitted by Lacey Jane Roberts…

I’ve always been into taking over spaces and working with architecture. I like making big work out of very small elements, like the knitted stitch. I try to install my work in a variety of contexts—in galleries and on the street. I also think making big work that forces people to move around it or interact with it is really interesting. When I first showed We Couldn’t Get In, We Couldn’t Get Out, people were having conversations through the fence. It was startling and creepy to me, but fascinating. I also have done a lot of guerrilla installations. I think after being quite stagnant while knitting, the physical rush of hurrying to install where I am not allowed to triggers my adrenaline. (via)

We couldn’t get in. We couldn’t get out. knitted by Lacey Jane Roberts

I’ve always been into taking over spaces and working with architecture. I like making big work out of very small elements, like the knitted stitch. I try to install my work in a variety of contexts—in galleries and on the street. I also think making big work that forces people to move around it or interact with it is really interesting. When I first showed We Couldn’t Get In, We Couldn’t Get Out, people were having conversations through the fence. It was startling and creepy to me, but fascinating. I also have done a lot of guerrilla installations. I think after being quite stagnant while knitting, the physical rush of hurrying to install where I am not allowed to triggers my adrenaline. (via)